Italiano
Ogni anno 47000 donne nel mondo muoiono a casa di aborti clandestini. Laia Abril, in seguito a ciò, decide di occuparsi di questo tema complesso e spinoso analizzando, dal passato a oggi, tutto il mondo connesso a questa pratica spesso illegale, e i rischi e danni che ha causato. Il progetto, a metà tra il documentario e il concettuale secondo lo stile della Abril, è inserito come prima parte di un lavoro molto più ampio sulla donna, History of Misogeny, ed è stato esposto ad Arles nel 2016, vincendo il ‘’Prix de la Photo Madame Figaro e il Fotopress Grant.
English
Under ‘natural’ circumstances, the average woman would get pregnant about 15 times in her life, resulting in ten births. Seven of those babies would survive childhood. For centuries, people have searched for ways to delay or terminate pregnancy. Today, safe and efficient means of abortion finally exist, yet women around the world continue to use ancient, illegal or risky home methods: Every year, 47,000 women die from botched abortions.
Across many countries and religions, millions of women are still denied access to abortion by the law or by social coercion. They are forced to carry pregnancies to term against their will, even minors and rape victims, and for many the pregnancy is not viable or poses a health risk. But all can be criminalized for trying to abort.
On Abortion is the first part of Laia Abril’s new long-term project, A History of Misogyny. The work was first exhibited at Les Rencontres in Arles in 2016 and awarded the Prix de la Photo Madame Figaro and the Fotopress Grant. Abril documents and conceptualizes the dangers and damage caused by women’s lack of legal, safe and free access to abortion. She draws on the past to highlight the long, continuing erosion of women’s reproductive rights through to the present-day, weaving together questions of ethics and morality, to reveal a staggering series of social triggers, stigmas, and taboos around abortion that have been largely invisible until now.
